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_module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/bibliotecablog.laorotava.es\/wp-content\/uploads\/2026\/08\/investigaciones-filosoficas-sobre-la-belleza-ideal_arteaga_portada&#8211;scaled.jpeg\u00bb title_text=\u00bbInvestigaciones filos\u00f3ficas sobre la belleza ideal : considerada como objeto de todas las artes de imitacion \/ por Don Estevan de Arteaga&#8230;&#8211; En Madrid : por Don Antonio de Sancha, 1789.\u00bb show_in_lightbox=\u00bbon\u00bb _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbText\u00bb _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#E09900&#8243; use_background_color_gradient=\u00bbon\u00bb background_color_gradient_direction=\u00bb90deg\u00bb background_color_gradient_stops=\u00bb#002d00 0%|rgba(0,0,0,0.5) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_color_gradient_start=\u00bbrgba(0,0,0,0.5)\u00bb background_color_gradient_end=\u00bbrgba(0,0,0,0.75)\u00bb background_enable_image=\u00bboff\u00bb custom_padding=\u00bb4vw||4vw||true|false\u00bb locked=\u00bboff\u00bb collapsed=\u00bboff\u00bb global_colors_info=\u00bb{%22#03045e%22:%91%22background_color%22,%22background_color_gradient_stops%22%93}\u00bb][et_pb_row custom_padding_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.24.3&#8243; 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font-size: 12pt;\"><strong>Hito de la est\u00e9tica espa\u00f1ola<\/strong>. Publicada originalmente en este volumen de 1789, la obra es una de lo primeros textos sobre est\u00e9tica, cuando apenas se estaba consolidando en Europa como disciplina filos\u00f3fica independiente. En Espa\u00f1a, el pensamiento art\u00edstico segu\u00eda dominado por tratados pr\u00e1cticos o normativos anclados en el Neoclasicismo, siendo la obra de Arteaga el primer esfuerzo sistem\u00e1tico y te\u00f3rico en lengua castellana sobre Est\u00e9tica Art\u00edstica.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\"><strong>La edici\u00f3n est\u00e1 a cargo del taller de Antonio de Sancha<\/strong>, considerado el tip\u00f3grafo y encuadernador m\u00e1s importante de la Ilustraci\u00f3n madrile\u00f1a, y uno de los responsables de la calidad impresora espa\u00f1ola durante el siglo XVIII.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbText\u00bb _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb background_color=\u00bb#E09900&#8243; use_background_color_gradient=\u00bbon\u00bb background_color_gradient_direction=\u00bb90deg\u00bb background_color_gradient_stops=\u00bb#002d00 0%|rgba(0,0,0,0.5) 100%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_color_gradient_start=\u00bbrgba(0,0,0,0.5)\u00bb background_color_gradient_end=\u00bbrgba(0,0,0,0.75)\u00bb background_enable_image=\u00bboff\u00bb custom_padding=\u00bb1vw||1vw||true|false\u00bb locked=\u00bboff\u00bb collapsed=\u00bboff\u00bb global_colors_info=\u00bb{%22#03045e%22:%91%22background_color%22,%22background_color_gradient_stops%22%93}\u00bb][et_pb_row custom_padding_last_edited=\u00bbon|desktop\u00bb _builder_version=\u00bb4.24.3&#8243; 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header_5_font_size=\u00bb18px\u00bb header_5_line_height=\u00bb1.4em\u00bb header_6_font=\u00bbLibre Baskerville|Libre Baskerville_weight|||||||\u00bb header_6_text_color=\u00bb#0e0c19&#8243; header_6_line_height=\u00bb1.5em\u00bb custom_margin=\u00bb||||false|false\u00bb hover_enabled=\u00bb0&#8243; text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb40px\u00bb header_font_size_phone=\u00bb24px\u00bb header_font_size_last_edited=\u00bbon|desktop\u00bb header_2_font_size_tablet=\u00bb28px\u00bb header_2_font_size_phone=\u00bb20px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb header_3_font_size_tablet=\u00bb22px\u00bb header_3_font_size_phone=\u00bb17px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb header_4_font_size_tablet=\u00bb18px\u00bb header_4_font_size_phone=\u00bb15px\u00bb header_4_font_size_last_edited=\u00bbon|tablet\u00bb header_5_font_size_tablet=\u00bb15px\u00bb header_5_font_size_phone=\u00bb14px\u00bb header_5_font_size_last_edited=\u00bbon|desktop\u00bb header_6_font_size_tablet=\u00bb13px\u00bb header_6_font_size_phone=\u00bb13px\u00bb header_6_font_size_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{%22#03045e%22:%91%22link_text_color%22%93,%22#0e0c19%22:%91%22header_text_color%22,%22header_4_text_color%22,%22header_3_text_color%22,%22header_2_text_color%22,%22header_5_text_color%22,%22header_6_text_color%22,%22quote_text_color%22%93,%22#3c3a47%22:%91%22text_text_color%22%93,%22#0077b6%22:%91%22quote_border_color%22%93,%22gcid-36fd78a7-34bc-404d-873c-dafa34efaae5%22:%91%22icon_color%22,%22icon_color%22%93}\u00bb body_font_size_tablet=\u00bb15px\u00bb body_font_size_phone=\u00bb14px\u00bb body_font_size_last_edited=\u00bbon|desktop\u00bb sticky_enabled=\u00bb0&#8243;]\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">Miembro de la Compa\u00f1\u00eda de Jes\u00fas, tras la expulsi\u00f3n de los jesuitas decretada por Carlos III en 1767, se exili\u00f3 a Italia, donde completa su formaci\u00f3n teol\u00f3gica y human\u00edstica en la Universidad de Bolonia. Este exilio forzoso, sin embargo, lo convierte en un intermediario cultural entre la tradici\u00f3n cl\u00e1sica italiana, las nuevas corrientes europeas y el pensamiento hisp\u00e1nico.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">En 1769 renuncia formalmente a la Compa\u00f1\u00eda de Jes\u00fas con el anhelo de retornar a Espa\u00f1a, permiso que no le fue concedido. En Bolonia, completa sus estudios de Filosof\u00eda, Ciencias, Matem\u00e1ticas y Teolog\u00eda entre 1773 y 1778.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">Centrado en la investigaci\u00f3n de la evoluci\u00f3n del teatro musical italiano, publica <em>Le rivoluzioni del teatro musicale italiano<\/em> (1783), que alcanza un gran \u00e9xito y le otorga un reconocimiento a nivel europeo. En sus teor\u00edas est\u00e9ticas, Arteaga propugna unificar poes\u00eda y m\u00fasica, escenificaci\u00f3n y pantomima en un todo arm\u00f3nico que conduzca a la creaci\u00f3n de un espect\u00e1culo sint\u00e9tico de todas las bellas artes.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">En 1786, se traslada a Roma<em>, <\/em>donde escribe y prepara la publicaci\u00f3n de <em>Investigaciones filos\u00f3ficas sobre la belleza ideal considerada como objeto de las artes de imitaci\u00f3n<\/em> (Madrid, 1789).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: book antiqua, palatino, serif;\">Esteban de Arteaga destac\u00f3 internacionalmente no solo como fil\u00f3sofo, sino como un riguroso historiador, cr\u00edtico musical y music\u00f3logo, c\u00e9lebre por su capacidad para hibridar la historia de la m\u00fasica, el drama l\u00edrico y la teor\u00eda general del arte.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; 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header_3_font_size=\u00bb32px\u00bb header_3_line_height=\u00bb1.3em\u00bb header_4_font=\u00bbLibre Baskerville|Libre Baskerville_weight|||||||\u00bb header_4_text_color=\u00bb#0e0c19&#8243; header_4_font_size=\u00bb24px\u00bb header_4_line_height=\u00bb1.4em\u00bb header_5_font=\u00bbLibre Baskerville|Libre Baskerville_weight|||||||\u00bb header_5_text_color=\u00bb#0e0c19&#8243; header_5_font_size=\u00bb18px\u00bb header_5_line_height=\u00bb1.4em\u00bb header_6_font=\u00bbLibre Baskerville|Libre Baskerville_weight|||||||\u00bb header_6_text_color=\u00bb#0e0c19&#8243; header_6_line_height=\u00bb1.5em\u00bb custom_margin=\u00bb||||false|false\u00bb text_font_size_tablet=\u00bb15px\u00bb text_font_size_phone=\u00bb14px\u00bb text_font_size_last_edited=\u00bbon|phone\u00bb header_font_size_tablet=\u00bb40px\u00bb header_font_size_phone=\u00bb24px\u00bb header_font_size_last_edited=\u00bbon|desktop\u00bb header_2_font_size_tablet=\u00bb28px\u00bb header_2_font_size_phone=\u00bb20px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb header_3_font_size_tablet=\u00bb22px\u00bb header_3_font_size_phone=\u00bb17px\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb header_4_font_size_tablet=\u00bb18px\u00bb header_4_font_size_phone=\u00bb15px\u00bb header_4_font_size_last_edited=\u00bbon|tablet\u00bb header_5_font_size_tablet=\u00bb15px\u00bb header_5_font_size_phone=\u00bb14px\u00bb header_5_font_size_last_edited=\u00bbon|desktop\u00bb header_6_font_size_tablet=\u00bb13px\u00bb header_6_font_size_phone=\u00bb13px\u00bb header_6_font_size_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{%22#03045e%22:%91%22link_text_color%22%93,%22#0e0c19%22:%91%22header_text_color%22,%22header_4_text_color%22,%22header_3_text_color%22,%22header_2_text_color%22,%22header_5_text_color%22,%22header_6_text_color%22,%22quote_text_color%22%93,%22#3c3a47%22:%91%22text_text_color%22%93,%22#0077b6%22:%91%22quote_border_color%22%93,%22gcid-36fd78a7-34bc-404d-873c-dafa34efaae5%22:%91%22icon_color%22,%22icon_color%22%93}\u00bb body_font_size_tablet=\u00bb15px\u00bb body_font_size_phone=\u00bb14px\u00bb body_font_size_last_edited=\u00bbon|desktop\u00bb]\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u00a0\u2022 <strong>Imitaci\u00f3n no es copia<\/strong>. El eje fundamental del libro radica en que el arte debe imitar la naturaleza, pero rechaza tajantemente la copia servil o \u00abfotogr\u00e1fica\u00bb de lo real: la naturaleza es imperfecta, por tanto, el artista debe realizar una operaci\u00f3n de s\u00edntesis.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u2022 <strong>Definici\u00f3n de Belleza Ideal como un arquetipo de perfecci\u00f3n.<\/strong> El artista observa m\u00faltiples individuos u objetos de la realidad, extrae de cada uno sus rasgos m\u00e1s perfectos y los re\u00fane para engendrar una idea unificada que supere a la propia realidad.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u2022 <strong>La naturaleza bella frente a la naturaleza imitable.<\/strong> Se divide la realidad entre aquello que es bello de por s\u00ed y aquello que, aun siendo feo, deforme o doloroso en la vida real, se convierte en un objeto est\u00e9tico sublime a trav\u00e9s de una recreaci\u00f3n art\u00edstica idealizada.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u2022 <strong>Pilar del Prerromanticismo espa\u00f1ol<\/strong>. Al situar la imaginaci\u00f3n, las facultades an\u00edmicas del espectador y el \u00absentimiento del alma\u00bb como motores de la experiencia est\u00e9tica, Arteaga abri\u00f3 de par en par las puertas a la sensibilidad rom\u00e1ntica.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u2022 <strong>Impacto en la Musicolog\u00eda europea<\/strong>. Su contenido te\u00f3rico de belleza ideal influy\u00f3 en sus coet\u00e1neos y sucesores directos dentro del campo de la teor\u00eda musical, consolidando el criterio de que la m\u00fasica instrumental pose\u00eda un lenguaje conceptual propio y sublime, desvinculado de la subordinaci\u00f3n textual.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">\u2022 <strong>Revalorizaci\u00f3n.<\/strong> Marcelino Men\u00e9ndez Pelayo rescat\u00f3 la figura de Arteaga en su monumental <em>Historia de las ideas est\u00e9ticas en Espa\u00f1a<\/em> (1883-1889), coron\u00e1ndolo como el pensador m\u00e1s profundo, original y riguroso de la Ilustraci\u00f3n espa\u00f1ola, convirtiendo las <em>Investigaciones filos\u00f3ficas<\/em> en lectura obligada para cualquier historiador del arte.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbText\u00bb _builder_version=\u00bb4.27.7&#8243; 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font-size: 12pt;\">De 1751\u00a0 a 1760, fue encuadernador de la Real Academia de la Historia, de la Real Academia Espa\u00f1ola y de la Real Biblioteca. Entre 1768 y 1778 ten\u00eda su taller en la plazuela de la Paz de Madrid.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">A partir de su temprano \u00e9xito se estableci\u00f3 como editor, y encarg\u00f3 a Ibarra imprimir los primeros tomos del <em>Parnaso Espa\u00f1ol<\/em>, colecci\u00f3n de poes\u00eda que pretend\u00eda reeditar a los cl\u00e1sicos castellanos. Pronto tendr\u00eda ya su propia imprenta, en la calle Alcal\u00e1, que mantuvo all\u00ed entre 1779-1790.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: book antiqua, palatino, serif; font-size: 12pt;\">Edit\u00f3 entre otros, la <em>Gram\u00e1tica griega filos\u00f3fica<\/em>, de Antonio P\u00e9rez de Soto, <em>Las Er\u00f3ticas<\/em>, de Esteban Manuel de Villegas, de 1774, en dos tomos, <em>La Araucana<\/em> de Alonso de Ercilla en 1776, el <em>Quijote<\/em> de 1777 en cuatro tomos, con l\u00e1minas de Jos\u00e9 Camar\u00f3n grabadas por Manuel Monfort, <em>Novelas ejemplares<\/em>, los <em>Trabajos de Persiles y Sigismunda<\/em>, los cl\u00e1sicos del siglo de oro con grandes ediciones de Lope de Vega y Francisco de Quevedo.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbText\u00bb _builder_version=\u00bb4.18.0&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb54px||0px|||\u00bb locked=\u00bboff\u00bb collapsed=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_heading title=\u00bbfuentes\u00bb _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbf0c675ea-2574-4d0e-b725-30f8550a8550&#8243; title_level=\u00bbh4&#8243; title_font=\u00bbSource Sans Pro|Libre Baskerville_weight||on|||||\u00bb title_text_color=\u00bb#0077b6&#8243; title_font_size=\u00bb14px\u00bb title_letter_spacing=\u00bb1px\u00bb title_line_height=\u00bb1.4em\u00bb custom_margin=\u00bb||10px||false|false\u00bb title_font_size_tablet=\u00bb13px\u00bb title_font_size_phone=\u00bb13px\u00bb title_font_size_last_edited=\u00bbon|desktop\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{%22#0077b6%22:%91%22title_text_color%22%93}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.7&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb|||9px||\u00bb global_colors_info=\u00bb{}\u00bb]\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">Informaci\u00f3n t\u00e9cnica (Sintaxis MARC 21\/AbsysNet) e hist\u00f3rica sobre Esteban de Arteaga y su obra generada mediante el modelo de lenguaje ChatGPT de OpenAI (agosto, 2026).<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">Fondo Antiguo de la Biblioteca Nacional de Espa\u00f1a. Consulta del registro oficial y la digitalizaci\u00f3n del ejemplar en la <a href=\"https:\/\/bnedigital.bne.es\/bd\/es\/results?y=s&amp;o=&amp;w=investigaciones+filosoficas+belleza+arteaga&amp;f=ficha&amp;o=&amp;w=&amp;f=texto_ficha&amp;g=ws\">Biblioteca Digital Hisp\u00e1nica<\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">Real Academia de la Historia. Datos biogr\u00e1ficos exactos del autor extra\u00eddos de la plataforma <a href=\"https:\/\/historia-hispanica.rah.es\/biografias\/4022-esteban-de-arteaga\">Historia Hisp\u00e1nica &#8211; Diccionario Biogr\u00e1fico electr\u00f3nico<\/a>.<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><a href=\"file:\/\/\/C:\/Users\/alfonsotp\/Downloads\/investigaciones-filosoficas-sobre-la-belleza-ideal--considerada-como-objeto-de-todas-las-artes-de-imitacion.pdf\">Biblioteca Virtual Miguel de Cervantes<\/a>. Consulta digital de la repercusi\u00f3n de la obra en el siglo XIX y la c\u00e9lebre consideraci\u00f3n de Arteaga como el m\u00e1ximo exponente de la est\u00e9tica ilustrada espa\u00f1ola en <a href=\"https:\/\/www.cervantesvirtual.com\/buscador\/?q=Investigaciones+filos%C3%B3ficas+sobre+la+belleza+ideal&amp;tipo=palabras_todas&amp;busqueda=combinada&amp;fautor=menendez-y-pelayo-marcelino-1856-1912-31\"><em>Historia de las ideas est\u00e9ticas en Espa\u00f1a<\/em><\/a> de Marcelino Men\u00e9ndez Pelayo.<\/span><\/li>\n<\/ul>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1&#8243; make_equal=\u00bbon\u00bb specialty=\u00bbon\u00bb admin_label=\u00bbGallery\u00bb _builder_version=\u00bb4.23.1&#8243; _module_preset=\u00bbdefault\u00bb custom_padding=\u00bb2px||0px|||\u00bb border_radii=\u00bbon|6px|6px|6px|6px\u00bb locked=\u00bboff\u00bb collapsed=\u00bbon\u00bb global_colors_info=\u00bb{%22#0077b6%22:%91%22overlay_icon_color%22%93}\u00bb][et_pb_column type=\u00bb1_2&#8243; 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Breves rese\u00f1as de contenido de los textos, datos de los autores, sus ideas, los contextos hist\u00f3ricos, los impresores&#8230;, para crear un espacio digital de difusi\u00f3n de este tesoro que form\u00f3 parte de la educaci\u00f3n y la [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false,"_members_access_role":[],"_members_access_error":""},"categories":[19],"tags":[150,138,194],"class_list":["post-28257","post","type-post","status-publish","format-standard","hentry","category-fondo-antiguo","tag-fondo-antiguo","tag-fondo-antonio-lugo-y-massieu","tag-monografias-antiguas"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/posts\/28257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/comments?post=28257"}],"version-history":[{"count":29,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/posts\/28257\/revisions"}],"predecessor-version":[{"id":28315,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/posts\/28257\/revisions\/28315"}],"wp:attachment":[{"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/media?parent=28257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/categories?post=28257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bibliotecablog.laorotava.es\/index.php\/wp-json\/wp\/v2\/tags?post=28257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}